That Mark Rosman worked prior to this picture with Brian De Palma should come as no surprise. The House on Sorority Row owes as much to that director’s work as it does to the Gialli that made such an impact on Italian cinema in the 70s and 80s. All the tropes are present: nubile young...

As Richard Nixon, Bob Halderman and every other politician caught in the wake of the Watergate break-in can tell you, it’s often not the original crime that will do you in but rather the cover-up. It’s a lesson that Mark Dixon, the cop at the heart of Where The Sidewalk Ends would...

The first time Rose spies the handsome Tommy Swann in It Always Rains on Sunday she’s smitten. She’s working the bar in an East End London boozer when the saloon doors open and Tommy sweeps in wearing a double-breasted suit, a hat tilted just so and a cigarette dangling from his...

You’re a new arrival in a small, suspicious town, having just ridden in with your pal from a long cattle run. While you are kicking your heels at the local saloon a breathless messenger arrives through the swinging doors. The local, much admired, ranch boss has been murdered and his...

The anthology film is a difficult beast to tame. For every Night on Earth there is a corresponding Four Rooms. Cinema may be forever blessed by Yesterday, Tomorrow & Today but it would also do well to forget Amazon Women on the Moon. By the very nature of the project, the tone of the...

You can almost imagine the scene as it played out, no doubt under the influence of hallucinogens and booze, in Rome some time in early 1978. Fellini’s cameraman on 8 1/2 looking to become a director in his own right and Italy’s answer to Roger Corman shooting the breeze about the...

How sweet it is to be a fan of Film Noir, to sit down of an evening to watch a Neo-Realist picture, a good one at that, and find as the reels unspool you’ve stumbled into gritty crime territory. How’s this for an opener? A couple of cons are on the run from a group of determined...

As humans we all too often imagine ourselves masters of our own destiny but fate will play games with us and frequently the twists that send life spinning away from any preconceived plans rest on a single act. So it is in The American Friend. Bruno Ganz plays Jonathan Zimmerman, a mild...

Right from the very beginning of Sisters you know you’re in for something especially creepy. The great composer Bernard Herrmann, responsible for the likes of North By Northwest, Cape Fear, Vertigo and of course Psycho drapes the opening credits – slow closeups of a human embryo...

“Personally, Veda’s convinced me that alligators have the right idea. They eat their young.” It’s difficult to know how much more Mildred Pierce could have done to win the Oscar in 1945. Director Michael Curtiz had put in some stirringly patriotic pictures throughout the recently won...